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When I first read the words āAfro-Scandi pop,ā I couldnāt help but be intrigued. How is that going to work exactly? Will it even work at all in the first place? Fortunately, Tolouās vision and talents are both so strong that it doesnāt take very long for the proposal to land and hook you in with her unique energy, and thatās precisely what she named her debut album.
āEnergyā is made up of twelve tracks moving between pop, soul, gospel, and Afro rhythms, none of it feeling like fusion because nothing needed fusing. She calls it Afro-Scandi pop.
Rooted in classical training across opera and jazz and raised leading church choirs, Tolou was discovered by Wyclef Jean in one of those choirs. During lockdown, she taught herself production until the vivid sounds in her head could finally take shape. Influences peek throughāFrank Ocean, Burna Boy, Robynābut theyāre signposts, not the destination.
The point is the title. Energy. What you carry. What you let in. Tolou calls the album a cleanse, a way back to what actually matters, and you believe her because nothing here strains.
You call your sound āAfro-Scandi Pop.ā What helped you conceptualize and synthesize this blend? Any inspirations and references to point to?Ā
It really grew out of who I amātwo cultures living inside one body. On one hand, I was raised with the pulse of African music, the rhythm, the storytelling, the soul. Artists like Wizkid, Burna, and Fela gave me my roots. On the other hand, Northern Norway gave me silence, space, and this haunting kind of beauty. I think thatās where the softness and melancholy come in. Afro-Scandi Pop, to me, is what happens when warmth meets stillness⦠Itās a blend I didnāt inventāI grew into it naturally.
You have called the album a coming-of-age story. Which track feels like the pivotal chapter where you truly understood yourself?Ā
Definitely āUnwind.ā That was the moment I stopped hiding. Itās about letting my light spill out without apologyāthe softness, the sensuality, the joy. As women, weāre often told to tuck those parts away. But that song was me saying, No more shrinking. Iām allowed to be gentle and powerful, playful and grounded. That track was like giving myself a permission slip to be all of me.
Beyond sound, what does Afro-Scandi Pop represent for you as a way of moving through the world?
Freedom. Itās a way of being that says contrast doesnāt have to cancel itself outāit can dance. I donāt need to choose between this or that, soft or strong, sensual or spiritual. I can be all of it. Afro-Scandi is about trusting your full self, even the parts that seem like opposites, and making harmony from them. Thatās how I live.
Stepping into full creative control during the pandemic was a profound shift. How has that changed the way you approach collaboration now?Ā
Whewāit changed everything. That season made me sit still with my own voice. No noise, no distractions, just me. I learned to trust my instincts, even the quiet ones. So now when I collaborate, I donāt come in trying to prove anything. I come in already rooted, already clear. Itās not about approval; itās about creative exchange.
If Energy is meant to function as an energy cleanse, where is that cleansing most potent?
It starts right at the beginning with the title track, āEnergy.ā That song is a ritual. Itās me calling in what I want, clearing out what I donāt. Then the whole album kind of unfolds like my inner diaryāfull of doubt, light, softness, strength, and finally, peace. By the time we get to āCoco,ā itās like exhaling into self-love. Thatās where the cleanse lands for meāin the return to self.
From āCocoā to now, how has the confidence you sing about evolved?
Mmm, back then, I had confidence that came from spark. Now it comes from depth. Life humbled me a bit; it broke me in places I didnāt expect. But I found God in those moments. I found grace. Now my confidence feels quieter, more anchored. Itās not loud, but itās unshakeable. I donāt need to be seen to know Iām real.
Working with legends like Tricky Stewart is a major collaboration. What did you take away from that experience?
What struck me most was how sacred the space felt. Tricky created this atmosphere where everyone could just be⦠honest. No ego, no tension. Just flow. Heās intentional, like spiritually intentionalāand that reminded me how important the energy in a room is. When the vibe is right, the music just breathes.
Your classical training is a unique layer. Does it still consciously inform your process?
Itās in the background, like muscle memory. Classical training gave me discipline, breath control, and a deep respect for the voice as an instrument. But now I let it whisper rather than lead. It gave me the map, and now I wander freely. Itās like⦠I know the rules well enough to break them beautifully.
You move between music, acting, and fashion. Are these separate canvases or the same frequency?
One frequency, just different textures. Music is the heartbeat. Fashion is how I dress the feeling. Acting is me stepping into different versions of myself. It all comes from the same river. I just shift how I pour it.
What kind of acting roles are you drawn to?
Ooh, the weird ones! I love characters who surprise youāwomen who are layered, messy, mysterious, and strong in quiet ways. Iām always pulled toward stories that expand what femininity can look like. More magic, less stereotypes.
Whatās up next for Tolou?
Honestly? Play. I introduced myself with āEnergyāānow I want to stretch. Get weirder. Get louder. Or softer. Collaborate with people who make me feel something. Iām in this season of curiosity⦠letting my art grow in whatever direction it wants. The foundation is laid; now Iām just dancing on top of it.
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The post THE FREQUENCY IS HERS: TOLOU ARRIVES WITH āENERGYā AND SHEāS NOT SHRINKING FOR ANYONE appeared first on LADYGUNN.

















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